Band: Carcass
Song: Incarnate Solvent Abuse
Tabbed By: \JEB/,
|--------------|-----------|------------| (I'm terrible at counting, so
|--------------|-----------|------------| don't blame me if this is wrong...)
|-------4------|---4---4---|-4---4---3--|
|---5-3---5-3--|-----------|------------|
|-2------------|-2---2---2-|---2---2----|
|--------------|-----------|------------|
e e e e e e e q e e e q e e e q
|--------------|-----------|------------| Then play again with harmony up
|--------------|-----------|------------| a P5, and of course a whammy bar
|-------4------|---4---4---|-4---1---1--| dive (or pick slide, whatever)
|---5-3---5-3--|-----------|------------| before the coolest four measure
|-2------------|-2---2---2-|---2---2----| riff known to man...
|--------------|-----------|------------|
e e e e e e e q e e e q e e e q
And now 4/4... this gets played four times here...
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-5-----2-----2---|-5-----2-----2---|-5-----2-----2---|-5-----2-----2----|
|-----------------|-----------------|-----------------|------------------|
|---000---000---0-|---000---000---0-|---333---333---3-|---222---222---2--|
e sse e sse e e sim.
Twice (the second time with Walker's unbelievably awesome vocals fading in)
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-------------3---|-----------------|-------------3---|
|---5-4---5-4---4-|---5-4---5-4-1---|---5-4---5-4---4-|---5-4---5-4-1-4-|
|-0-3-2-0-3-2-0-2-|-0-3-2-0-3-2-----|-0-3-2-0-3-2-0-2-|-0-3-2-0-3-2---2-|
e e e e e e e e e e e e e e q e e e e e e e e e e e e e e e e
"Intenacious, intersecting..." etc. The second guitar does a G5 F#5 A5 bit
after "culled..." (on the 2nd repetition of the riff)
The PM riff is played after that, but the second ending is a quarter note Bb5
again, into the "truculent shambles" bit... (rhythm approx?)
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|--5--------------|-(5)---------8---|-4---------------|-(4)------4-5----|
|--3--------------|-(3)---------6---|-2---------------|-(2)------2-3----|
w h. q w h e q.
Then the double-bass with the PM riff as before, into the faster bit:
This is probably a lot of 16th notes, and (hopefully) hammer-ons.
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|---------------2-|---------------5-|---------------2-|-320--------3--3-|
|------------235--|------------235--|------------235--|----320-----3--3-|
|-00000000235-----|-00000000235-----|-00000000235-----|-------320--1--1-|
Then a similar thing but instead of tremolo picking the open E string play E5
power chords instead (e q e rhythm, I think?), and there's just one F5 at the
end. The last measure gets repeated a couple of times just before the solo.
Later, under the Amott solo:
|-----------------|--------------------|--------------------|-----------------|
|-----------------|--------------------|--------------------|-----------------|
|-----------------|--------------------|--------------------|-----------------|
|-9-----9-----9---|-10-----10-----10---|-10-----10-----10---|-9-----9-----9---|
|---777---7-7---7-|----777----7-7----7-|----666----6-6----6-|---666---6-6---6-|
|-----------------|--------------------|--------------------|-----------------|
e sse e e e e e sim.
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-7-----7-----7---|-8-----8-----8---|-8-----8-----8---|-7-----7-----7---|
|---555---5-5---5-|---555---5-5---5-|---444---4-4---4-|---444---4-4---4-|
|-----------------|-----------------|-----------------|-----------------|
These are just whole notes...
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-9---------------|-10--------------|-10--------------|-9---------------|
|-7---------------|-7---------------|-6---------------|-6---------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-7---------------|-8---------------|-8---------------|-7---------------|
|-5---------------|-5---------------|-4---------------|-4---------------|
|-----------------|-----------------|-----------------|-----------------|
Then there's a riff after the solo I don't know, played over the top of this
rhythm:
|-----------------------------------------|
|-----------------------------------------|
|------------------------------------3--7-|
|-3-3-2-----3-3-2-----3-3-2------3-3-3--7-|
|-3-3-2-----3-3-2-----3-3-2------3-3-1--5-|
|-1-1-0-----1-1-0-----1-1-0------1-1------|
|------------------------------|
|------------------------------| The last time follow it with an E5, and then
|------------------------------| play the intro riff a couple of times again
|-2--/7-6------2-3-2-0---------| (with the harmony the 2nd time).
|-2--/8-7--------------3-2-0---|
|-0--------------------------3-|
Steer's guitar solo ("Glue Stiffing"):
|-------------------------------------------------12-7-/10-|
|-----------------------------------------------12---------|
|--------------------------------7777/12-9-11-12-----------|
|----------------7777999910101010--------------------------|
|-7777999910101010-----------------------------------------|
|----------------------------------------------------------|
|-15-17-19------151915-----------------------------|
|---------17---------17-------------------20191719-|
|----------------------16-----------161719---------|
|------------------------17-----1719---------------|
|--------------------------19----------------------|
|--------------------------------------------------|
|----12-17-12----15-12-15-14-15-14-121412---12-|
|/16----------16--------------------------15---|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|-----------------------------------------------|
|-17-12----12-15-12----12-14-15-14-121412----12-|
|-------15----------15-------------------/15----|
|-----------------------------------------------|
|-----------------------------------------------|
|-----------------------------------------------|
|-------------------------------------12-14-121412-|
|------------------12-14-121412-14-15--------------|
|14-15-14----14-15---------------------------------|
|---------17---------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
V
|15-14-12-14-121412----12-------17-15-12-15-121512----12-----15------12-|
|-------------------15----12-15--------------------15----12-------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
(note indicated by V, bend and release while picking several times)
Amott's solo ("Viscous Residue Snorting"):
|--------------------------------------------------------------------|
|5~~5-7-8-8b10-8b10-8-7~7b8r~-15b17-15b17-15-13-12h13p12-11-13p12-11-|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|-------------------------19p15--15-19---19--19--18--15--19p15--15-|
|---------------------17-------19------15--15--15--15--15-----19---|
|-12-11-12p11--9~--/16--16-----------------------------------------|
|------------12----------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-19-19-20b22-19~--191919191717171715151515-------------------------|
|------------------------------------------191919191717171715151515-|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-----------------15151515171717171919191922222222-24-24b26-24~~-|
|-1717171719191919-----------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
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